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Her unique mezzo-soprano voice was versatile, capable of handling high notes and explosive power when needed.

Moreover, she could skillfully reproduce songs, making her the perfect medium for transforming Harrison Clarks transported works.

Harrison would grant her a lifetime of wealth and success, so naturally, he would have high standards for her.

Lucy Haywood shuddered with nervousness.

The other producer beside her showed no emotion.

Harrison asked, Do you have a voice recorder?

The producer replied, Yes.

Good, record every word I say from now on. Lucy, you can digest this later. Ill only guide you personally this once. Its up to you how hard you work from here on. Either make it big or make it a futile effort.

Harrison took a deep breath and began explaining word by word at an astonishing speed.

First line, your pitch is too high. The beginning of this song should be gentle, like a stream flowing through a forest, giving a sense of serene beauty. So, elongate your breath slightly, and dont cut off your last note so abruptly, holding back the sound of the violin

Here, your articulation is a bit unclear. When you sing this part, your breath should be pulled back a little

For this line, the ordinary ending would require a swift hammer drop and contraction while lowering the key, but you cannot handle it this way here

After about an hour, Harrison took a deep breath, stood up, and said, Thats all for now. Next time, I want to hear the finished product directly.

He didnt say anything more and quickly left.

In the recording studio, Lucy and the producer exchanged wordless glances.

Lucy was fine, as she was engaged in self-assessment.

The producer, however, felt as if everything hed learned had been reduced to nothing.

Its said that theres never a peak in the path of art.

After climbing one mountain, theres always a higher one waiting.

But he felt that Harrisons level had reached heights he couldnt even comprehend.

No wonder that after Harrisons overnight rise to fame, his personal influence in the music world continued to skyrocket like a rocket.

What terrifyingly keen intellect, astonishing memory, and horrifyingly skilled musical instincts and professionalism he possessed!

Too strong!

After resolving the matter, Harrison immediately returned to his office and began working on assembling an outline of several blockbuster sci-fi movie scripts from the early 21st century that he had seen during his trip to the future.

He had a strong memory but unfortunately couldnt find the complete scripts in the database, so he had to painstakingly restore the plot by hand.

He remembered every detail and scene but had to reapply them to the paper, involving another professional field, scriptwriting.

In the previous timeline, hed already experienced how his older self suffered a devastating loss due to stubbornness. This time, Harrison didnt plan to complete every detail himself.

He would take the outline of the plot to Julia Lambert, who would hire professionals to refine the script, while he would personally modify it once or twice in the final draft.

When it came time to film, he would occasionally supervise and ensure a faithful reproduction of the successful movies.

Unfortunately, these subsequent tasks couldnt be completed within a month. Harrison only planned to finish the preliminary work, record it in a memo, and leave it for his parallel self to begin and execute in the future.

On his next trip to the future, he would naturally see the results, good or bad.

Writing was quite a rigorous task. Restoring the outlines of just a few sci-fi films consumed almost half a month for Harrison. He deleted and revised repeatedly, aiming for accuracy, ensuring that when the final product was produced, the deviation from what he wanted wouldnt be too far off.

Subsequently, Harrison began his second round of relentless and high-speed creative insanity.

In just four days, he wrote almost thirty songs.

It wasnt enough to describe his state as a creative outpouring; he was like a volcanic eruption.

Among the classic songs he brought out were not only numerous popular Chinese and English songs from 2000 to 2050 but also several new-style masterpieces from 2050 to 2100, as an experiment.

In addition to the four famous songs he tucked into Ward Owens second album before, he brought a total of ten songs that should have appeared only fifty years later to life today.eastern fantasy

He was becoming increasingly reckless.

Harrison already knew that his actions were brewing a Renaissance, so he wanted to make it even more dramatic and ruthless.

He attempted to make this artistic renaissance more explosive.

The impact of the Renaissance wasnt merely confined to the artistic community, it was just the spark that ignited the movement.

At its core, the Renaissance was the surge of a new way of thinking, ultimately leading to a domino effect in intellectual and cultural movements.

What it shook was not just the world of art, but the changing thoughts of everyone bathed in the waves of the Renaissance.

It was a tide in which artistic creativity rapidly exploded within a short period, eventually driving all industries and disciplines to advance further.

The power of art is infectious.

This infectiousness extends to all aspects of life, making peoples spiritual attributes stronger.

As the momentum of the Renaissance gradually took shape, people were easily influenced by higher-quality artistic works, involuntarily desiring to strive for a better life and era..