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By now, Harrison Clark has become adept at using history to solve problems, developing his own comprehensive methodology.

He went straight to early 21st-century England, Oxfordshire.

First, he focused on one of his two most important assets: Summit Ventures.

After bringing back over twenty classic songs, the company’s music library was enriched with over forty songs, and many things changed again.

Divine Sword Melodies was given to Carrie Thomas to develop the album “Octaves.”

“Across the Starry Sky” was given to Avril Green.

He also arranged six songs on Lucy Haywood’s second album and eight songs on the third album of a certain European artist.

After he “left,” these backup plans he personally arranged were successively completed, transforming into the achievements and positions of his artists and Avril Green, as well as bringing fame to them, and even more so, bringing in a large amount of cash income for Summit Ventures.

In the previous timeline, Carrie Thomas didn’t regain her creative power until she completed “Morning Wind” at the age of 77, and then she wrote the Divine Sword Melodies.

But in this timeline, Carrie Thomas came out with the album “Octaves” at the end of September 2020, becoming instantly famous, sweeping major awards worldwide, and being unparalleled for a time.

“Gazing into the Distance,” “You, Me, and the Universe,” “Shoulder to Shoulder,” “Soaring Ambitions,” “Love Until Death Do Us Part,” “Pure Heart,” “No Questions of Origins and Destinations,” and “Sharp edges fully exposed” – the realm of these eight songs is so high that it confuses the music creators of this era, leaving them disoriented and questioning their lives.

You can’t blame these people for not being worldly enough; it’s really just because Harrison’s tricks are too excessive.

In the original timeline, Divine Sword Melodies were created after 2076, and after more than fifty years of development, as well as Harrison’s promotion of the Renaissance, the creativity of the artists in the early 21st century was like a volcano constantly erupting, unstoppable.

Harrison sparked the Renaissance mainly in the field of music, where there were also the European artist’s post-era folk songs and various experimental songs by Lucy Haywood.

For decades, the outpouring of inspiration in the field of music was particularly strong, with an endless variety of new singing techniques, musical styles, and concepts in the field of instrumental music.

Even during the war-ridden era a thousand years later, people still marveled at how the Renaissance of the 21st century was the greatest artistic revival in human history, unmatched in the past, and never to be repeated.

In the midst of the artistic renaissance, Carrie Thomas never stopped learning and absorbing while continuously creating “Morning Wind.”

She invested most of her talent in learning, greedily absorbing the insights of others while also transcending herself.

In that timeline, by 2076, she had already become a master in both technique and mindset, and then she produced the Divine Sword Melodies, which firmly secured her place in the top ten for a millennium.

Her understanding of music began in 2005, and her mastery was achieved in 2076. Her ostensible fifty years of progress was actually equivalent to at least two hundred years in Harrison’s first timeline.

Her style was not abrupt, but rather more perfectly aligned with the aesthetics of the early 2020s than the works of others.

As a result, Harrison released Divine Sword Melodies fifty-six years earlier than planned and also created a new song “Sharp edges fully exposed” for Carrie Thomas.

These eight works took root in the present and looked forward to the next hundred years.

However, last time she wrote the Divine Sword Melodies, her age was already too advanced, her voice had passed its prime, and her fingers were no longer as agile in playing. She eventually had to give the songs to younger singers, resulting in the high artistic achievement of Divine Sword Melodies, but the impact of the songs themselves failed to match her own level.

But this time, she was in the prime of her life in terms of voice and singing skills, and her artistic comprehension had caught up with her 77-year-old self after writing “Sharp edges fully exposed.” She personally performed the songs, perfectly showcasing the appropriate realm of the songs.

How could this not blow everyone away?

Of course, there was one thing that saddened Harrison Clark deeply.

He seemed to have underestimated the difficulty of “Morning Wind,” and in this timeline, even with his forced intervention to disrupt the chronological relationship, it still took Carrie Thomas nearly forty years to complete “Morning Wind” in the early months of 2060.

At this point, Carrie Thomas was already sixty-one years old.

She not only missed her youth but also missed her prime, her midlife, and her understanding of fate, not attaining true spiritual liberation until she entered her sixties.

The historical records simply mention “forty years” in three words, but behind them lies a bitterness and resilience that Harrison Clark is reluctant to taste in detail.

Fortunately, Harrison Clark gave her a perfect wedding again, and the two joined hands to spend the last forty-three years of their lives together.

Carrie Thomas said at the wedding, “I have never regretted and do not blame you. Even though you won’t admit it, my heart has been connected with yours since I was twenty-one. I didn’t miss anything, and I have no regrets in my life. Whatever you want to do, and whoever you want to become, I will support you unreservedly.”

The historical records state that on that day, Master Harrison Clark cried so much that he could barely stand.

No one understood why he was so grief-stricken on such a happy day.

He just kept saying “I’m sorry” to Carrie Thomas, over and over again.

He seemed to be possessed, bewitched.

And the world didn’t know what was wrong with him.

It was all caused by his own needless stubbornness..